![]() They had relationships and had a dynamic no one outside the club had. “I thought there was an aspect of the image the Beatles projected where it was this club,” Peterson says. The original lineup featured Peterson’s close friend Annette Zilinskas on bass, and, together with singer and guitarist Susanna Hoffs, whom they found through an ad in the newspaper, they set out to create their own version of the Beatles. The singer, guitarist, and songwriter formed the Bangles - initially called the Bangs - with her drumming sister, Debbi, in 1981. “That sounds like something from the '80s to me - the woman in the power suit trying to be the man because it’s the only way she can exercise her power or be successful.” weeks before a series of California tour dates. “I think it might be an outmoded idea, especially in the workplace,” Peterson tells Refinery29, speaking from L.A. According to Bangles founder Vicki Peterson, however, it’s an idea that’s proved less timeless than those jingle-jangle guitars and honeyed harmonies that remain the bedrock of her group’s music. That argument predated Melanie Griffith’s epic battle with Sigourney Weaver, and it still inspires loads of feminist think-pieces (like this 2014 Urbanette post) and the occasional Chris Rock comedy bit. foursome was ruling the charts with hits like “Manic Monday,” “Walk Like an Egyptian,” and “Hazy Shade of Winter,” the 1988 comedy Working Girl was helping to popularize another enduring idea. Way less groovy, it’s the notion that women often play against each other, and that when it comes to getting ahead in a male-dominated world, they can be their own worst enemies. ![]() ![]() Take, for instance, sunny, swirly '60s garage rock - a psychedelic sound that The Bangles revved up for the New Wave era and rode to stardom in the ‘80s. ![]()
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